Sherlock Being The Most Prevalent,

[ Stephen Strange] Is Less Strange Than Other Characters I've Played. He's Lost The Power To Love, Which Doesn't Make Him A Nasty Person. I Just Think He's Closed-off.

I'm Very Proud Of The Work I Do, But I Genuinely Can't Involve Myself With An Audience As Early As Somebody Who's Not Part Of The Film Can. So There's That Side Of Theater That Appeals To Me, Where You Give Something And The Response To What You've Created Is A Communion Between You And The Dark That Contains However Many People. It's Thrilling Not Having A Reflection Other Than Through The People You're Communicating With. But People Ask, "what Do You Prefer?" And I Don't Have A Preference. I Love Them Both. I Really Do.

Talking About Class Terrifies Me. There Is No Way Of Winning.

To Get A Horse To Hit A Mark Without A Rider, To Get It To Stand Up, To Get It To Rear, To Get It To Pick Up A Bucket And Bring It Over Is Amazing. It's Hard Work And Very Rewarding But Can Be Dangerous.

I Was Very Keen To Work On The Script With Scott Derrickson And [c. Robert] Cargill, And Working Out The Important Story Beats, Changing Lines, Upping The Comedy, Changing The Pace, All Of That Was Great Fun.