Language Thus Becomes Monumental Because

A Camera Is Wild In Just About Anybody's Hands, Therefore One Must Set Limits. But Cameras Have A Life Of Their Own. Cameras Care Nothing About Cults Or Isms. They Are Indifferent Mechanical Eyes, Ready To Devour Anything In Sight. They Are Lenses Of The Unlimited Reproduction.

Instead Of Causing Us To Remember The Past Like The Old Monuments, The New Monuments Seem To Cause Us To Forget The Future

History Is Representational, While Time Is Abstract; Both Of These Artifices May Be Found In Museums, Where They Span Everybody's Own Vacancy

Establish Enigmas, Not Explanations.

Questions About Form Seem As Hopelessly Inadequate As Questions About Content.