If Love Eats The Donut,

I've Always Assumed That Every Time A Child Is Born, The Divine Reenters The World. Okay? That's The Meaning Of The Christmas Story. And Every Time That Child's Purity Is Corrupted By Society, That's The Meaning Of The Crucifixion Story. Your Man Jesus Stands For That Child, That Pure Spirit, And As Its Surrogate, He's Being Born And Put To Death Again And Again, Over And Over, Every Time We Inhale And Exhale, Not Just At The Vernal Equinox And On The Twenty-fifth Of December.

Outlaws, Like Lovers, Poets, And Tubercular Composers Who Cough Blood Onto Piano Keys, Do Their Finest Work In The Slippery Rays Of The Moon.

Like The Arthurian Years At Camelot, The Sixties Constituted A Breakthrough, A Fleeting Moment Of Glory, A Time When A Significant Little Chunk Of Humanity Briefly Realised Its Moral Potential And Flirted With Its Neurological Destiny, A Collective Spiritual Awakening That Flared Brilliantly Until The Barbaric And Mediocre Impulses Of The Species Drew Tight Once More The Curtains Of Darkness.

Now That I'm In Love, I Haven't A Clue. Now That I'm In Love, I'm Completely Stupid On The Subject.

Comedy Is Deemed Inferior To Tragedy Primarily Because Of The Social Prevalence Of Narcissistic Pathology. In Other Words People Who Are Too Self Important To Laugh At Their Own Frequently Ridiculous Behavior Have Vested Interest In Gravity Because It Supports Their Illusions Of Grandosity.