Fanaticism Comes From Any Form

The Extreme Proposition On Which Giacometti Based All His Mature Work Was That No Reality... Could Ever Be Shared. This Is Why He Believed It Impossible For A Work To Be Finished. This Is Why The Content Of Any Work Is Not The Nature Of The Figure Or Head Portrayed But The Incomplete History Of Him Staring At It.

The Relation Between What We See And What We Know Is Never Settled. Each Evening We See The Sun Set. We Know That The Earth Is Turning Away From It. Yet The Knowledge, The Explanation, Never Quite Fits The Sight.

When We Read A Story, We Inhabit It. The Covers Of The Book Are Like A Roof And Four Walls. What Is To Happen Next Will Take Place Within The Four Walls Of The Story. And This Is Possible Because The Story's Voice Makes Everything Its Own.

Every City Has A Sex And Age Which Have Nothing To Do With Demography.

There's The Artist's Intimacy And Truthfulness To Himself, But An Equal Intimacy To The Other [the One Drawn]. Picasso Drawings Are Like That... The Rembrandts Are Like That. The Artist Who Most Often Did That Was Van Gogh.